This license does not need to be renewed.įor example, if you order a license that covers 10,000 monthly pageviews, you will remain within your license as long as you do not get more than 10,000 views per month. You get a monthly pageview allowance for your webfonts. Agencies responsible for multiple clients' websites, for example web design agencies or hosting providers, may not share a single webfont license across multiple clients' websites.Įvery time the webpage using the webfont kit is loaded (i.e, the webfont kit CSS which holds the rule is called) the counting system counts a single pageview for each webfont within the webfont kit.įor usage in graphic images shown on the website, consider a Desktop license instead as most allow for it. Webfonts can be used across multiple websites/domains as long as the websites/domains all belong to the single License Owner, and the pageviews are not exceeded. If you require a Desktop license that covers additional users, simply place a new order for the same Desktop package, for the number of additional users. Please be sure to review the listing foundry's Desktop license agreement as some restrictions may apply-such as use in logos/trademarks, geographic restrictions (number of locations), and products that will be sold.ĭesktop licenses are cumulative. You can change the number of users by clicking the quantity dropdown option on Buying Choices or Cart pages. png)ĭesktop licenses are based on the number of users of the fonts in other words, the number of computers in which the font will be installed. Create and print documents, as well as static images (.jpeg.
#SWIFTY FONTS MAC#
#SWIFTY FONTS MAC OS X#
Install the font on your Mac OS X or Windows system." Swifty Funky Typo Grafix" is available via Gamma Proforma limited to 500 copies and priced at £74.95.For the most common uses, both personal and professional, for use in desktop applications with a font menu. Swifty has just released a special hard back book of his work covering his career so far. Combine this with a passion for the processes of the pre digital era (screen print and hand drawn type for example) and add in inspiration from clubbing culture, hip hop and graffiti and you can really start to understand what’s helped to shape his style.
#SWIFTY FONTS SOFTWARE#
Early clients included James Lavelle's MoWax label (Swifty designed the logo) and cover work for artists (Young Disciples and Galliano) on Giles Petterson’s Talkin Loud imprint.īut despite successfully mastering early Apple Mac publishing software his reverence to hand finished (pre digital) design work of earlier masters (such as Saul Bass - see top row images) has influenced his style throughout his career and is really what makes him so special. Swifty’s portfolio follows the journey of design immediately before and post digital era. Brody was responsible for the look of the iconic 80’s style magazine "The Face" amongst other high profile commissions. Ian “Swifty” Swift was discovered and worked initially for Neville Brody who is considered one of the UK’s most important and influential graphic designers. And, via an acclaimed career of unique and beautifully executed graphic design work for a client list spanning a generation of the very coolest (in music, clothing and later TV), he brings his own style and skills with the heavy weight design approach we need.
In a way it’s a good thing he wasn’t tied up chasing a formal design training (he doesn't have one) as this might have meant less time to attend intensive training at the esteemed University of Life (working in his previous gig as a music producer and DJ) which, since he founded HGT, has helped to inform our style inspiration - patterns, fonts and that kind of thing.īut there’s another big player who we can also thank for our look. There’s the steady flow of inspired nuggets that seem to come from the mind of founder Russ. At HGT we’re lucky to have two big forces who help guide our ideas down the creative path and out into the wider world. If they did they were most probably lying or showing off.
No one ever said the creative process was easy.
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